You Ask Me To Talk About the Interior

Carolina Ebeid

Carolina Ebeid’s mesmerizingly beautiful first book, You Ask Me To Talk About the Interior, is a book of the blues discovered in the matrilineal line. “We live in a copy of Eden,” she writes, “a copy that depends on violence.” Autism, illness, and lead lend their traces to these poems that pulse, like all blues, with “world-sorrow,” while rising from the root of that sorrow which is love. The voice of mother, of lover, and of friend spills from every page, charged with fierce and protective passion, a passion that is contagious because it is song.  

Julie Carr

Carolina Ebeid’sYou Ask Me to Talk About the Interior is a book of listening and responding and listening again, “the way a searchlight listens over a lake.” Ebeid’s poems recognize that no question is answered completely by the first words spoken in response, nor by the first glimpse of the discovered thing, but that every response, every glimpse, is itself an extension of the initial question—they seek what is to be found there, in the extended question, when the interrogated speaks back, and so they are as wise as any poems I know.

Shane McCrae

Carolina Ebeid’s voice is a lament, it is a singing, a mourning, a beautiful  and yet sorrow-filled lyric. Her poems—of sons, of husbands, war and flowers, revolution and reading Celan on the subway—are deeply American, while, at the same time, they are not. They are both from everywhere and from nowhere—Ebeid’s voice is both deeply familiar and surprisingly original. These poems are love poems to the world—passionate and essential. 

Cynthia Cruz

Carolina Ebeid is currently studying in the PhD program in creative writing at the University of Denver, and holds an MFA from the Michener Center for Writers at the University of Texas. She has been awarded fellowships and prizes in poetry from the National Endowment for the Arts, the Michener Center, CantoMundo, Bread Loaf Writer’s Conference, and the Stadler Center for Poetry. She grew up in West New York, New Jersey. 

Reviews and News

2017 Winners of the Noemi Press Book Award for Poetry

The editors of Noemi Press are excited to announce the winners and finalists for the 2017 Noemi Press Book Award in Poetry.

Winner: UNMANNED by Jessica Rae Bergamino

We will be also publishing Inland Empire by Leah Huizar

FINALISTS

Orient by Nicholas Gulig

Ochre/Orpheus by Meredith Stricker

Bodega by Su Hwang

STET by Dora Malech

We Are Too Big for This House by Sara Borias

2016 Winners of the Noemi Press Book Award for Poetry

The editors of Noemi Press are excited to announce the winners, finalists, and semi finalists for the 2016 Noemi Press Book Award in Poetry.

Winner: Indictus by Natalie Eilbert

Finalist: Careen by Grace Shuyi Liew

We will be also publishing Gentry!fication: or the scene of the crime by Chaun Webster and A Problem and Some Space by Hannah Ensor

SEMIFINALISTS

The Devil’s Workshop by Xavier Cavazos

Hagia Animalia by Sara Biggs Chaney

Medusa Reads La Negra’s Palm by Elizabeth Acevedo

The Leaving Impulse by Rachel Martin

Manipur by Robin McLachlen

The Historians of Redundant Moments: Novel in Poems by Nandini Dhar

Northern Ledger by Kate Partridge

Probable Garden by Bronwen Tate

Saints and Cannibals by Robert Lunday

Winter Swimmers by Carolyn DeCarlo

Woman, Yielding by Andrea Blancas Beltran

un/documented—kentucky—songs by Steven Alvarez

2015 Winners of the Noemi Press Book Award for Poetry

The editors of Noemi Press are excited to announce the winners, finalists, and semi finalists for the 2015 Noemi Press Book Award in Poetry. We received about 400 poetry submissions this year and thank all the writers who submitted for trusting us with their work.

Winner

Bone Confetti by Muriel Leung

 

Finalists

Natality by E. G. Means

MOUTHS by Claire Marie Stancek

 

We will also be publishing finalist Vanessa Villarreal’s manuscript Beast Meridian in the Akrilica series.

 

Poetry Semifinalists

They Go In Pairs by Samuel Ace

Arcadia, Indiana (a tragedy) by Toby Altman

You Can Take It Out by Cheryl Clark Vermeulen

Red of Split Water-A Burial Rite by Lisa Donovan

Century Worm by Todd Fredson

Actual Echo by Matthew Mahaney

A Turkish Dictionary by Andrew Wessels

Review of Between Grammars at Entropy

Vogel describes her early experiences of reading and writing as “a bridging between [her] voice and [her] body,” as a kind of communion. “Language slowed the world for me,” she recalls, “it gave me a sense of tactility, a skin to encase my thinking.” Vogel’s visceral experience of language is palpable in Between Grammars; there is a sense of tactility ever-present. Beyond the philosophical exploration, reading this book is as much a sensory experience as an intellectual one, the text shot through with light, sound, and touch.

 

Read the rest at Entropy.

Rain Taxi review of The Ghost In Us Was Multiplying

Armendinger is a master at using fragmented language with precise purpose. His poems experiment with language and form—this collection includes a poem delivered in the form of an instant messenger conversation, and a poem placed as a footnote within another poem—but never read as mere avant-garde posturing. Instead, Armendinger again and again finds new ways to use defamiliarized language to access the unsayable.

It’s a rare and wonderful thing to find a poet who can so powerfully, vividly, and gracefully engage with the problems of language and the world. The Ghost In Us Was Multiplying is a vital book: experimental, substantial, fragmented, unified, unsettled, and unsettling, Armendinger’s work is key reading for all those who care about what our broken words can do.

Read the rest at Rain Taxi.

Cleaver Magazine reviews Change Machine

Change Machine Book CoverJ. G. McClure reviewed Bruce Covey’s Change Machine for Cleaver Magazine:

Think about the change machine outside your car wash: you put in a dollar, the machine spits out coins. Not a neat bundle, but a jangling tray-full. Now think of William Carlos Williams: “A poem is a machine made of words.”Now give William Carlos Williams superpowers and have him beat the hell out of the car wash while musing on Pokémon, Barthes, and metapoetics, and you’ve got a sense of Bruce Covey’s Change Machine.

Read the full review at Cleaver Magazine 

You Ask Me To Talk About The Interior book cover

$15 Paperback | September 2016
978-1-934819-58-6