You Da One

Jennif(f)er Tamayo

“I am addressable”—Jennifer Tamayo’s You Da One, is a maliciously filial exploration of packaged familial relations. Professional Detail: suggest face-to-face interplay with the severed head of Gwenyth Paltrow in Se7en. Is that your daughter? Is she a box? Tamayo posits a slick surface of home and determinate location only to scrape it through a landfill of epistolary detritus, Spanglish, and pop music. Daddy-daughter playtime becomes a sweet serial narrative, caught and unraveling on the jagged edge of obedience. There is no manicured heaven here, nor any logic of quotation, simply the primordial spit of techno-banality from which emerges the thrill of the partial. Look into those $50 bona fide baby blues: you (the one) you’re on a lawn, your hand is in a bowl of grapes. Look at the camera, darling, smile for Mommy in your best interior composition!

Trisha Low

By turns violent, political, romantic, incestual, cerebral, bodily, and personal, this second full-length from Tamayo (Red Missed Aches) bears the formal markings of the hypermodern in its deployment of digital, pop, and intertextual elements. Written after her first trip back to her native Colombia in 25 years, the book is indebted to Rihanna, Barthes, and Aimé Césaire, whose texts she mines voraciously. Those influences, as well as the spectres of Alfred Molina and the author’s father, haunt the page, intermixed with screen captures, cheap internet advertising, deliberate misspellings, and pun-ridden Spanglish.

Publishers Weekly

Jennif(f)er Tamayo is a queer, migrant, latinx poet, essayist, and performer. JT is the daughter of Nancy, Flora, Leonor y Ana. Her books include [Red Missed Aches] (Switchback, 2011) selected by Cathy Park Hong for the Gatewood Prize (2010), Poems are the Only Real Bodies (Bloof Books 2013) and YOU DA ONE (2017 reprint Noemi Books & Letras Latinas’s Akrilica Series). Her essays and poetry has been widely published including in Poetry magazine, Best American Experimental Poetry, Mandorla: Writing from the Americas, Bettering American Poetry 2015, and  Angels of the Americlypse; An Anthology of New Latin@ Writing. She has held fellowships from NYU’s Hemispheric Institute for Performance and Politics and CantoMundo. Currently JT is studying the liberatory possibilities of voice and voicing. You can find their writing and art at www.jennifertamayo.com.

Reviews and News

2017 Winners of the Noemi Press Book Award for Poetry

The editors of Noemi Press are excited to announce the winners and finalists for the 2017 Noemi Press Book Award in Poetry.

Winner: UNMANNED by Jessica Rae Bergamino

We will be also publishing Inland Empire by Leah Huizar

FINALISTS

Orient by Nicholas Gulig

Ochre/Orpheus by Meredith Stricker

Bodega by Su Hwang

STET by Dora Malech

We Are Too Big for This House by Sara Borias

2016 Winners of the Noemi Press Book Award for Poetry

The editors of Noemi Press are excited to announce the winners, finalists, and semi finalists for the 2016 Noemi Press Book Award in Poetry.

Winner: Indictus by Natalie Eilbert

Finalist: Careen by Grace Shuyi Liew

We will be also publishing Gentry!fication: or the scene of the crime by Chaun Webster and A Problem and Some Space by Hannah Ensor

SEMIFINALISTS

The Devil’s Workshop by Xavier Cavazos

Hagia Animalia by Sara Biggs Chaney

Medusa Reads La Negra’s Palm by Elizabeth Acevedo

The Leaving Impulse by Rachel Martin

Manipur by Robin McLachlen

The Historians of Redundant Moments: Novel in Poems by Nandini Dhar

Northern Ledger by Kate Partridge

Probable Garden by Bronwen Tate

Saints and Cannibals by Robert Lunday

Winter Swimmers by Carolyn DeCarlo

Woman, Yielding by Andrea Blancas Beltran

un/documented—kentucky—songs by Steven Alvarez

2015 Winners of the Noemi Press Book Award for Poetry

The editors of Noemi Press are excited to announce the winners, finalists, and semi finalists for the 2015 Noemi Press Book Award in Poetry. We received about 400 poetry submissions this year and thank all the writers who submitted for trusting us with their work.

Winner

Bone Confetti by Muriel Leung

 

Finalists

Natality by E. G. Means

MOUTHS by Claire Marie Stancek

 

We will also be publishing finalist Vanessa Villarreal’s manuscript Beast Meridian in the Akrilica series.

 

Poetry Semifinalists

They Go In Pairs by Samuel Ace

Arcadia, Indiana (a tragedy) by Toby Altman

You Can Take It Out by Cheryl Clark Vermeulen

Red of Split Water-A Burial Rite by Lisa Donovan

Century Worm by Todd Fredson

Actual Echo by Matthew Mahaney

A Turkish Dictionary by Andrew Wessels

Review of Between Grammars at Entropy

Vogel describes her early experiences of reading and writing as “a bridging between [her] voice and [her] body,” as a kind of communion. “Language slowed the world for me,” she recalls, “it gave me a sense of tactility, a skin to encase my thinking.” Vogel’s visceral experience of language is palpable in Between Grammars; there is a sense of tactility ever-present. Beyond the philosophical exploration, reading this book is as much a sensory experience as an intellectual one, the text shot through with light, sound, and touch.

 

Read the rest at Entropy.

Rain Taxi review of The Ghost In Us Was Multiplying

Armendinger is a master at using fragmented language with precise purpose. His poems experiment with language and form—this collection includes a poem delivered in the form of an instant messenger conversation, and a poem placed as a footnote within another poem—but never read as mere avant-garde posturing. Instead, Armendinger again and again finds new ways to use defamiliarized language to access the unsayable.

It’s a rare and wonderful thing to find a poet who can so powerfully, vividly, and gracefully engage with the problems of language and the world. The Ghost In Us Was Multiplying is a vital book: experimental, substantial, fragmented, unified, unsettled, and unsettling, Armendinger’s work is key reading for all those who care about what our broken words can do.

Read the rest at Rain Taxi.

Two Poems by Chloe Garcia Roberts at Boston Review

Read “Once When Light Returned After a Blackout, I Found My Face Pressed Into a Wall Asking for Help” and “Outside My Window a Tree Is Singing Flowers So I Cannot Sleep, I Cannot Sleep” at the Boston Review.  Chloe Garcia Roberts’ debut book of poetry, The Reveal, will be published by Noemi Press this fall.

$18 Paperback | Reprint with new poetry, published 2017
ISBN-13 978-1-934819-67-8