A Manual for Nothing

Jessica Anne

A Manual (for Nothing) es un libro inclasificable y brillante, con un sentido del humor agudo que alcanza niveles de crueldad maravillosos. Jessica Anne es una de esas escritoras a las que no quieres dejar de leer nunca.

Daniel Saldana Paris

Jessica Anne’s A Manual for Nothing is so the book we need (I need) right now. A künstlerroman for the twenty-first century: A Portrait of the Artist as (Jessica Anne). The World According to (Jessica Anne). Remembrance of Lost (Jessica Anne). The Sorrows of Young (Jessica Anne). Look Homeward, (Jessica Anne). Adios, boy artists. With Patti LuPone as a spirit guide, A Manual for Nothing is a künstlerroman for and about girl artists and women artists and performance artists who want to be writer artists. A künstlerroman for all those who know the predatory mentor whose name “starts with a G-r and ends with an egg” and still kinda-sorta-hafta question what it even means to be a feminist. A künstlerroman for the silent ballerinas with perfect first positions but mute first persons. A Manual for Nothing is a künstlerroman for you, girl.

Kelcey Parker Ervick

Often the second person is distancing and abstract, but in Jessica Anne’s a manual (for nothing) it makes an intimate hum: a girl talking to herself, to her beloved, her girls, to you. Like a hive of bees suddenly pivoting from sweet to stabby, Jessica Anne’s narrative and metaphor are at once open-hearted and painful, which makes them honest. The bodies here can love, surprise, and be hurt, just like ours.

Mairead Case

We always advise each other that the best way to take off a Band-aid is to rip it- just one quick yank. In A Manual for Nothing, Jessica Anne never put the Band-aid on to begin with. Here, the wound is a world: rehearsals in a church basement, cat food, an unwanted touch, your name scraped out of Crayons. Here, the wound holds your gaze. The wound wants to play with you. This manual teaches you how.

Julia Cohen

Jessica Anne is a lifelong Chicagoan. She is an alumnus of The Neo-Futurist ensemble (Writer/Performer/Director 2006-2012), Roosevelt University (MFA, Creative Writing), North Park University, and The Chicago Academy for the Arts. Follow her at jessicaannewriting.me.

Reviews and News

2016 Winners of the Noemi Press Book Award for Fiction

The editors of Noemi Press are excited to announce the winners, finalists, and semi finalists for the 2016 Noemi Press Book Award in Fiction.

Winner: The Ladies by Sara Veglahn

Finalist: The End of Peril, the End of Enmity, the End of Strife, A Haven by Thirii Myo Kyaw Myint


There Are Other People In The Dark, Though by Michael Shelichach

TSK by Caroline Picard

Partners And Strangers by Michael Don

Trouble Will Save You by David Crouse

Polyester Vocabulary by jill darling

The Perception of Partially Occluded Objects by Stephen Tuttle

The Moon Below by Nathan Oates

When The Time Came by Gabriel Houck

Strike a Prose: Memoirs of a Lit Diva Extraordinaire by Tim Jones-Yelvington

Queen Mob’s Teahouse Review of Starlight in Two Million

The hybridity of Starlight in Two Million lends itself at least in part to assisting in Catanzano’s depiction of 4th person narration. In particular, her poetry (“U+F+O+L+A+N+G+U+A+G+E”) suggests a sense of malleability and nonspecificity, power in disruption and deviation from the linear hierarchy. Take for a specific and more focused example, the TAZ (temporary autonomous zone) located “where the poetic imagination is free to reign.” The site of poetry is a catalyst for a chain reaction that moves outward, uncoiling, asking questions that produce yet more questions. Inquiry expands into infinite space and non-linear time: “In TAZ the practice of framing a rule as a ruin makes even more ruins, as anyone familiar with the latest studies has been informed.” The prose form overlaps with the poetic, the hybridity presenting scientific inquiry within a framework of imaginative speculation and the powerful disruptive force of deviation from traditional form.

Interview with Amy Catanzano about Starlight in Two Million in Entropy

Starlight in Two Million: A Neo-Scientific Novella is a spacetime ship that travels. Unlike ships of the sea or rockets to outer space, my book moves by warp drive. What this means is that my book achieves travel through space and time by being stationary while moving spacetime around it. This is how ships move when traveling at warp drive in Star Trek, and scientists are now exploring warp drive for travel in our solar system and beyond.

Read the rest at Entropy.

Interview with Amy Catanzano about Starlight in Two Million in Jacket2

In May 2015 Jace Brittain and Rachel Zavecz interviewed me about my third book, Starlight in Two Million: A Neo-Scientific Novella (Noemi Press, 2014). The book combines narrative fiction — in which three characters, two of whom are named for Greek concepts, join forces to stop a war — with lyric poetry, visual poetry, and memoir. We discuss the book’s cross-genre form, ’pataphysics, quantum poetics, fourth-person narration and the fourth dimension, and more. In addition to talking with me about Starlight in Two Million, Jace and Rachel wrote a collaborative review of the novella for the online arts magazine, Queen Mob’s Teahouse.

2015 Winners of the Noemi Press Book Award for Fiction

The editors of Noemi Press are excited to announce the winners, finalists, and semi finalists for the 2015 Noemi Press Book Award in Fiction. We received about 300 fiction submissions this year and thank all the writers who submitted for trusting us with their work.


Uncountry: A Mythology by Yanara Friedland


A Manual for Nothing by Jessica Anne Chiang


Fiction Semifinalists

Gary Oldman Is A Building You Must Walk Through by Forrest Roth

Patchwork: Stories by Cynthia Hawkins

Waters to Swim in Before We Die by Meredith Luby

ANSWERING MACHINE: a novel out loud by Edward Herring

The Rolodex Happenings by Dennis James Sweeney

Project MADAM by Evelyn Hampton

A More Active You by Meagan Cass

These Are Our Demands by Matthew Pitt

Caren Beilin’s The University of Pennsylvania reviewed at Full Stop

One of the most fascinating traits of Beilin’s prose is the way that words tumble into each other, dissolving their distinctions into portmanteaus: “‘Just drive,’ Olivia told her mother, and Mrs Knox — who was usually too frail, sick, and tired, to drive, or love — drove.” Elsewhere repetition and assonance causes clotting: “Beth kneels, devout to it, devout to kneeling, but needing reasons.” Descriptions of female anatomy in particular are characterised by a constant drift towards the figurative: Olivia’s hand is “a small splayed bouquet of bones”; a breast is “the weight of bread forgetting itself”; the clitoris is “a rooster’s drip of throat,” “a rodent’s red liver,” “the flower of guts,” “the bedraggled lung of something waterous, a barracuda’s ripped reason for breathing, hanging in the open, with rancid coral hueing.” Like Antigone as a child, rolling around in a park, flashing her underwear, The University of Pennsylvania seems to speak “in a language parallel to language.”

Read the rest at Full Stop.

Front Porch reviews The University of Pennsylvania

Rachel Gray reviews Caren Beilin’s The University of Pennsylvania at Front Porch:

Beilin creates a mixture of striking and strange imagery. In the The University of Pennsylvania, kidding is “unsexual, sisternal,” the sunset has “ripe red horns,” cum is a serum all the way from London, and the children of doctors sniff cocaine—or perhaps gelatin. Never before had I considered the similarity between violet and violent, but this book asks its readers to ponder the relationship between the two.

Read the rest at Front Porch.

Chicago Tribune glowing review of Her 37th Year

Kathleen Rooney reviews Suzanne Scanlon’s Her 37th Year, An Index, in the Chicago Tribune. Here’s a sample:

One of the many brilliant aspects of this book is that the form permits Scanlon to offer a built-in answer. For an index is a guide, an imposition of a pattern on something that does not necessarily suggest that pattern, in this case, the life of Scanlon’s protagonist, who is attempting to catalog her life so far: attending university, being in a mental institution, having affairs, getting married, giving birth to a child and so on. This structure lets Scanlon capitalize on the by-turns fun, wry and melancholy juxtapositions of entries in an index due to the happy accidents of alphabetical order. In this way, she emphasizes how such indices can lead to inadvertent insights merely by letting a reader see one alphabetical name or phrase preceding or following another.

Read the rest at the Chicago Tribune. (Warning: you’ll have to register.)

$15 Paperback | Published 2017
ISBN-13 978-1-934819-64-7

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