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The End of Peril, the End of Enmity, the End of Strife, a Haven

by Thirii Myo Kyaw Myint



About the Author

Thirii Myo Kyaw Myint was born in Burma (Myanmar) and grew up in Thailand and California. Her stories have appeared in Black Warrior Review, TriQuarterly, and Kenyon Review Online, among others, and has been translated into Burmese and Lithuanian. She is the recipient of a Fulbright grant to Spain and fellowships from Tin House and Summer Literary Seminars. She is a PhD candidate in creative writing at the University of Denver and an editor of the Denver Quarterly.

The End of Peril, the End of Enmity, the End of Strife, a Haven


Hypnotic, surreal, heartbreakingly brutal and unfathomably beautiful, Thirii Myo Kyaw Myint’s The End of Peril is a tale that unfolds with a resonant, graceful urgency—one that left me spellbound, devastated, and renewed. I savored every sentence—every brutally gorgeous line.

Matthew Vollmer

The animals have gone wild and the walls of the house tremble in the face of the fierce, loud hush that haunts Thirii Myo Kyaw Myint’s marvelous debut. I was taken from the first page to the last by Myint’s extraordinary sentences, which put me happily in mind of Marie Redonnet or Renee Gladman, and by the powerfully strange world of cities and families and searching they build. There is so much to admire here, not least one of my favorite moments in recent contemporary writing: a young women who uses the blade of her hair to cut off chunks of the moon. I can’t recommend The End of Peril, the End of Enmity, the End of Strife, a Haven strongly enough.

Laird Hunt

What an amazingly beautiful changeling of a book. Whenever I was sure I had a pulse on it, it would bloom into something else entirely. Within what seems to be such spareness of words, Thirii Myo Kyaw Myint invokes a whole universe that clutches close the realms of memory, dream, and imagination, erasing the boundaries between the living and the dead, the sky and the earth, reality and myth. Myint interrogates the mother/daughter relationship as well as the beginnings and endings of love and life, reminiscent of the myth-making poetic prose in Jamaica Kincaid’s At the Bottom of the River. In the subtle guise of Italo Calivno’s Invisible Cities, she philosophizes on spaces and habitude and internal strife. You will fall deep into the deepest darkness and fear and hope and desire and love and longing in these pages. It’s a lovely journey there and out.

Jenny Boully